The good news today is that the Swedish Nobel Prize committee has now given Harold Pinter the prize for literature to world-wide acclaim except from the yahoos of the American right, with the bilious Christopher Hitchens predictably ranting about the “degradation of the Nobel racket”.
Perhaps Nobel would not have disapproved of this choice—he was also an unconventional playwright: his only play, Nemesis, a prose tragedy in four acts, was printed when he was dying, and the whole stock except three copies was destroyed immediately after his death, being regarded as scandalous and blasphemous. The first surviving edition (bilingual Swedish-Esperanto) was published in Sweden in 2003. (Wikipedia)
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I would like to have seen some of the other UK productions of this marvellous play in which the part was taken by Leonard Rossiter, Jonathon Pryce, Warren Mitchell, Terence Rigby and Michael Gambon. Or even the 1993 production in Bucharest(“ĂŽngrijitorul”), though I have no idea at all whether Stefan Sileanu was any good. There have been eighty major and innumerable minor productions.
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Here is Pleasence in New York in 1961, with a young Pinter in the background.
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