The book is a parody of an antiquarian study of an imaginary English town
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O hark to the groans of the wounded and dying,
A mother who takes a last lingering look
At her infant aloft, understandably crying,
Impaled on the spear of a Bashi Bazook
O see where the vultures are patiently wheeling
As the Scimitars flash and the yataghans thud
O innocent victims, vainly appealing
To dreaded Janissaries lusting for blood.
As Osbert Lancaster comments: “The two opening verses will serve to demonstrate both the fearless realism of the gentle poetess and her exceptional command of local colour, a command the more extraordinary in that she never, save for a brief visit to Tunbridge Wells, travelled more than ten miles from Draynefleet in all her life”.
I wonder if any modern poet leading a similarly quiet life could conjure up with such verve an evocative picture of a bloody 19th-century battle in the Levant.
[More about Drayneflete HERE]
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