I have been a keen bath singer since early childhood and have once or twice sung publicly in a jokey sort of way (and I don’t mean karaoke), not being too inhibited by the lack of anything in the nature of a voice. It might be said of me, as Bernard Miles said of one of his characters, that I have a belly-full of music but a bad road out.
So I was immensely flattered when I was invited to take part in a performance of Tosca in a country house venue in Sussex. It was no small scale production: there were distinguished internationally known singers as the soprano Tosca and the bass-baritone Scarpia. The husband of the soprano was directing, and as friends of mine the two of them thought I might like to fill in as they were a bit short in the chorus department.
I had some misgivings but took it very seriously from the start. The soprano tested me with a few scales and gave me some hints about what to do with my diaphragm, how to breathe and so on, and then told me that I would probably be all right. One problem was that I can’t really read music, and I went to the trouble of driving down to Dorset for some practice with my niece who is a musician so that I could get most of the notes more or less right from memory.
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[The picture is not of this production, which was in modern dress; we were to be dressed as Mafia hoods.]
Then rehearsals began. The director was very kind and helpful to me, as were my colleagues in the chorus, talented amateurs or semi-professionals, but I became increasingly unhappy. In my mature years I am no longer much afraid of making a fool of myself because life has already done it, but I began to realise that I was just not going to be any good, even in an undemanding chorus role.
So I went to my friends and said I am very sorry, but I just can’t do it. If they had been angry and complained about me leaving them one short in the chorus at the last minute I wouldn’t have blamed them, but the final embarrassment was that they were terribly nice: no, not at all, quite understand, don’t worry about it.
And so ended my career, a week or two before it was to begin. My wife and I went to see the performance, of course, and very good it was. But I never liked Tosca much, and now I can’t even bear to listen to it, or for that matter anything else by Puccini.